On the Menu

In this topic, Estrella Salgado and Elizabeth Riddick delve into the culinary world of Duke John at Montagu House, Whitehall.

Through menus, letters and household records, they reveal how meals were meticulously planned, from lavish breakfasts to elaborate dinners, offering a glimpse into the tastes, customs and domestic life of eighteenth-century aristocracy.

George Candlesticks

G.F. Handel: Water Music

In this theatrical spirit, we invite you to press play on our period-inspired soundtrack and let it set the scene as you explore our blog.

Simply press play and scroll.

Naturally, good food was critical to any dining experience curated by Duke John. He cared greatly about meals, as shown in a letter to his friend, John Russell: 

“If you will be with us by ten o’clock tomorrow morning we’ll go and see the pictures and we should be glad if Mrs Russell would come with you and go with us and that you both dine with us afterwards and I wish you would send me the recipe for your olio today and you shall have one at dinner tomorrow.”

The olio, a Spanish stew, was a success, as were many other meals at Montagu House, Whitehall. When Handel visited on Monday, May 4, 1747, he enjoyed a rich breakfast, dinner, and supper. For breakfast, the Duke, Duchess, and five esteemed guests were served drinking chocolate, bread and butter, and mutton broth. The latter may seem strange by today’s standards, but a few centuries ago, it was a perfectly ordinary way to begin the day. Queen Elizabeth I is said to have enjoyed pottage, a mutton stew thickened with grains like oats, wheat or barley.

Dinner, the heaviest meal, would have been eaten at midday. To maximize efficiency, the cooks designed menus that used different parts of the same ingredient. So, mutton appears twice more, as a “rice soup with mutton in it” and “mutton loin, roasted.” The seven diners would have also shared twelve lamb’s ears, a roasted goose, two roasted chickens, boiled asparagus and a “sallet,” or a cooked salad. Four kinds of dessert would have been available, too. With such a spread, it was reasonable that supper would be much lighter. Handel and his companions enjoyed a chicken fricassée, or stew. 

Notably, when picturing the dining table in use, it is important to remember that the kinds of dinner scenes featured in episodes of Downton Abbey are not reflective of Duke John’s hosting experiences. Guests at Downton enjoyed their meals in the service à la russe, which remains popular today. In this Russian style, which became popular in the 1860s, footmen brought dishes to the table in the order they were meant to be eaten, and they were served individually to the guests. 

However, through the mid-nineteenth century, service à la française was the leading style. In this French fashion, all of the food was laid out at once in an elaborate display, and a leisurely pace of eating was encouraged. The drawback was that it might take longer to acquire one’s desired food. In a letter to a friend, Jane Austen observed that a dining companion “had an empty plate, & even asked [a fellow guest] to give her some mutton twice without being attended to for some time.”

With his interest in China, it is perhaps not implausible that Duke John possessed a set of Chinese-produced armorial porcelain for his dining room. (Porcelain and ceramic objects are not included in the room inventory). Armorial, or heraldic, china services incorporated family crests into their designs. These were, therefore, custom made pieces. Armorial sets could take up to two years to produce, and their owners were left with a hefty price tag – these sets often cost ten times more than typical export-ware porcelain. 

While items of silver, like candelabras and candlesticks are absent from the room inventory, a separate plate list catalogues what pieces were in the house. The lighting equipment included “Eighteen pair of Candlesticks small & great,” “Five pair of Snuffers & their Pans,” “Two Branches with five Sockets each,” “Two Branches with four Sockets each,” “Four Branches with two Sockets each,” and “One hand Candlestick.” Duke John, ever-assiduous, laid out rules for the use of candles in the house. The dining room, under his instruction, was lit by twelve candles in the summer and twenty-one in winter as he factored in the seasonal changes in natural light. 

These candles would have created a warm glow, both practical and intimate, as guests ate, drank, conversed, and wondered what Duke John’s next prank would be. But all dinner parties must come to an end, and the fading flicker of candlelight is a fitting place to close this turn about the eighteenth-century world of Montagu House, Whitehall.

If you don’t yet feel ready to call a carriage, continue the dinner party with Elizabeth Scott, Duchess of Buccleuch, who dreamed up a new dining room for Whitehall in the Regency era

Download the slides: On the Menu

Share this page: